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Intersections: Review: Genders, Transgenders and Sexualities in Japan

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India's Third Gender Movement - The Zainab Salbi Project Ep. 2

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Differently conceived is the translation work indexed in McLelland's discussion of the 'expansive potential' p. A second theme given multiplex expression in several of the chapters is what I will refer to as that of transgressional and transformative struggles.

get link The volume as a whole, of course, is engaged in the ongoing struggle, indexed above, of transforming dominant homologised and essentialised representations of gendered and sexual experience and identities in Japan. The transgressiveness of the liberating enjoyment of non-reproductive sexual pleasures among Japanese women as consuming sexual agents is explored in the chapters by Dales and Takeyama.

Dasgupta's chapter is an interesting and ethnographically drawn cautionary tale of the persisting dominance and hegemony of heteronormativity, even as renegotiated from within by heterosexual identifying young salarymen. Such dominance makes 'perilous' to borrow from by Fujitani, White and Yoneyama [2] all potentially transgressive acts and identities, in the double sense of their imperiling and being imperiled by a stasis-desiring and uniformly presented hegemony.

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However, it is in the chapters by Allen and Mackie that the performative nature of gender and sexuality is most fully, if which, of course, is part of the point very differently explored. Mackie, on the other hand, insightfully discusses the performance art of Morimura Yasumasa and Mishima Yukio, for both of whom the body, indeed their own bodies become differently composed artistic media through which trans gendered and trans national identities are invoked, displayed, parodied and played with.

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  • סילבוס הקורס מגדר ומיניות באמנות עכשווית ביפאן, אחרי - תשע"ח, פקולטה לאמנויות, אוניברסיטת ת"א;